A radio station I’d want to listen to

After going on an extended rant about Houston’s awful radio scene and the demographics of each rock stations’ listeners, the Houston Press’ John Lomax comes up with a damn fine suggestion for how to create a worthwhile spot on the dial.

Take all the so-called garage bands, throw in some cool classic rock, and throw it all together with softer-edged stuff from the likes of Norah Jones, U2, Radiohead and Coldplay. Toss in some of the early punk and proto-punk stuff by Motörhead, the Clash, the Jam, Iggy and the Stooges and the Ramones, and the ’80s stuff that the Point mostly shuns — stuff like the Violent Femmes, the Pixies and the Replacements. Then there’s hip-hop — today’s teenagers can’t remember a world without it, so there’s no built-in resistance to it, and nobody on the commercial rock dial is playing 1980s floor-fillers like Eric B. and Rakim’s “Seven Minutes of Madness” remix of “Paid in Full,” or De La Soul’s “Me Myself and I,” or the quirky John Lydon/Afrika Bambaataa collabo “World Destruction.” You could throw in the edgier, backpacker-friendly mainstream stuff of today as well — OutKast, Black Eyed Peas, the Roots. Give it a name like Rock Revolution or something like that, and as the Brits say, Bob’s your uncle and Fanny’s your aunt.

Imagine Jack and Meg’s “Seven Nation Army” followed by Zep’s “Fool in the Rain” followed by the Clash’s “London Calling” followed by Jet’s “Are You Gonna Be My Girl” followed by Public Enemy’s “Black Steel in the Hour of Chaos,” and tell me that formula’s not a winner. You want a Mix? We got your Mix hangin’ low, buddy. A station like that would rob tons of listeners from the Buzz, KLOL and the Arrow, as well as a few who tune in to old-school hip-hop shows on the rap stations and the people who never let their radio tuner stray to the right of KTRU. Who knows, it might even win back a few people who’ve turned the radio off and ripped off the knob — the CDs- and iPods-only crowd, a multitude that grows more numerous with each passing day.

If you’ve been reading here for awhile, you know that this is very much the sort of thing I’ve agitated for (see here, here, and here for previous entries). Throwing in hip-hop is not what I originally had in mind, but you know what? It just might work for me. I always thought I hated country music until I was exposed to some good country music. So who knows, maybe the same thing would work for me and hip-hop. Even if not, I’d accept that as the price to pay for a station that surprised and challenged me otherwise.

Lomax notes correctly that just doing this as a gimmick wouldn’t work for long. (Note, for instance, that Country Hits is now a bottom-feeder in the ratings after starting strong, just as I thought it would.) The key would be ensuring a mix of good music, in particular a mix of stuff that would appeal to different fans without being the same old same old all the damn time. Maybe – oh, I don’t know, call me crazy here – having DJs choose the music themselves instead of only playing from homogenized corporate playlists, taking requests from listeners all day instead of during prescribed and limited hours, and showcasing local talent where appropriate. What’s so hard about that?

Sadly, now that we’ve sold my beloved old Mazda, I’m now driving a no-CD-player car, and sooner or later this forced diet of the Arrow and the Point is going to make me lose it. This experiment can’t happen soon enough for me.

UPDATE: Steve points to this 1998 Spin article which covers a lot of familiar ground, including this quote: “Proponents of consolidation argue that, once the dust has settled, there will actually be more diversity…” We’re still waiting. Note, by the way, that two words are conspicuously absent in that piece: “Clear Channel”.

Related Posts:

• No Related Posts