More than a dozen current and former Alley Theatre employees say the outgoing artistic director, Gregory Boyd, created a toxic work environment at the city’s most renowned theater, describing him as a tyrant who frequently singled out young female actresses for verbal abuse.
The allegations against Boyd, who abruptly retired this week after a 28-year Tony-winning run at the Alley, focus primarily on bullying and abusive behavior directed at young women under his direction on the stage.
Emily Trask, a member of the company for nearly two years, said she quit the Alley in April after reporting to three members of management that Boyd had bullied her, screaming “What the f— is wrong with you?” at a rehearsal, called her a “stupid c—” while giving another actor stage direction and twice touched her buttocks inappropriately.
“I felt I had no choice but to leave what was my dream job,” she said, citing “harassment and what I felt to be an unsafe environment.”
Boyd did not respond to requests for comment on the allegations.
A second actress, who asked not be identified for fear of retaliation, shared a similar story.
The actress said Boyd pinched her buttocks once on stage and once while she was making coffee in a break room. He made sexual comments about her to other actors, she said, and talked about the way she dressed and screamed at her on stage for the smallest of missteps.
“It was a very scary place to work for me,” she said, “a very hostile place.”
Like Trask, she said she complained to management, but nothing happened. “It was like it just got swept under the rug.”
The theater’s administrators and board president declined to answer questions about the allegations against Boyd, 66, who was widely considered the most influential figure in Houston’s theater scene. Boyd was just one year into a five-year contract and was paid at least $420,000 in the fiscal year that ended in June 2016, according to the company’s tax records.
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The Houston Chronicle started interviewing Alley employees in November as the “Me Too” movement spread nationally and current and former employees complained about Boyd . On Dec. 20, the Chronicle asked to review the Alley’s financial records under a state law that requires certain disclosures by nonprofits. The theater declined to produce the records electronically; a date stamp indicated it printed them out on Dec. 29, but the theater told the Chronicle they were ready on Jan. 4.
The Alley’s press release, issued Tuesday, said Boyd had planned to retire last fall but delayed the announcement because of Hurricane Harvey.
“Leading this extraordinary theatre company in this wonderful city for over a quarter century has been an artistic dream fulfilled,” Boyd was quoted as saying in the press release. “With the marvelous efforts of the artists, staff, and Board, we created a state of the art theatre-making complex with performance, production, and administration all in a brilliant, expansive space that welcomes theatre-goers in a unique and exciting way. The Alley’s achievements have been a great source of satisfaction for me and I look forward to new achievements to come in the next era.”
ABC-13’s Miya Shay has been reporting on this as well. The sudden retirement of a 28-year artistic director of the city’s best-known theater, without any fanfare of advance notice or plans for a sendoff by itself raises suspicions, and I suspect there’s still more to the story to come. First and foremost are the questions about how this went on for so long without anyone at the Alley taking action.
The board of the Alley Theatre announced plans Friday to create a special committee to evaluate “the workplace environment” after the Houston Chronicle reported that more than a dozen current and former employees said former artistic director Gregory Boyd had fostered a toxic, abusive culture for decades.
In a 79-word statement, the board did not mention Boyd by name and did not directly address the Chronicle’s report, published Friday, which included interviews with actors and actresses who said Boyd had screamed obscenities at them during rehearsals. Two actresses alleged that Boyd also touched them inappropriately on their buttocks.
“During this transition to new artistic leadership, the Board of Directors has renewed its commitment to providing a dignified and respectful workplace,” the statement said. “The Board has also appointed a special committee to assess the workplace environment and deliver recommendations to ensure the Alley Theatre continues to be a destination for world-class talent.”
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“I think the Alley owes Houston a tremendous apology for misusing the community’s trust and for covering up reprehensible behavior,” said Michael Dragoni, who was Boyd’s assistant from 1996 to 1998 and described the job as “an almost non-stop abusive situation.”
He said he saw Boyd berate actresses and touch a former staff member on her thigh inappropriately until she stood up and left a rehearsal.
“They have known about the toxicity from the beginning, and multiple leaders over the years have turned a blind eye and allowed things to get completely out of control,” Dragoni said.
Greg Lasley, who worked at the Alley from 2006 to 2011 as a bartender, described a “conspiracy of silence there.”
“People would complain, the board would show up and squash the complaint,” Lasley said.
Tony Bradfield, co-owner of Tenenbaum Jewelers, a longtime supporter of the Alley, expressed dismay at the accounts of an oppressive environment.
“I don’t think anyone of either gender, women mostly, should have to go through any of that,” Bradfield said. “I feel strongly about that.”
The Alley’s administration has not offered any response to the allegations against Boyd beyond Friday’s statement.
Here’s the Alley’s board of directors. I agree with Michael Dragoni, but an apology isn’t enough. The Board was clearly part of the problem. If they really want to make amends and move forward, those who were part of the problem should not be part of the solution. Most if not all of them should make plans to step down and let someone else clean up this mess. I hate to see a cultural jewel like the Alley go through such turbulence, but they brought this on themselves by failing to take action on this long-standing and well-known-to-them problem. They need to take the resolution to this seriously. I hope they do.
The Alley website refuses to show the list of directors. Looking in Guidestar at the latest available Form 990, there are 57 voting members of the board. That means most of them have no clue what’s going on, and are on the board because they love theater and being on a board looks good for their sense of civic duty. My guess is that 5 or 6 of the board members hold all of the power, and the rest go with the flow, and may have never been informed of the issues with Boyd. There needs to be a regulation somewhere limiting the size of the boards for these organization, so it’s simpler to go after the ones with the power.